Aki Kumar left his native home in Mumbai, India for the United States with the intention of working as a software engineer. Then he discovered the sounds of the blues, and his life changed dramatically.
A masterful harmonica player, soulful vocalist, band-leader, drummer and producer, Kumar is a man of many talents and one of the most prolific artists in the SF Bay Area today. He has successfully blended retro Indian music into his presentation, making for a unique, electrifying, multi-cultural mash-up that sounds like no one else, yet never loses touch with the inspiration it draws from the blues. A veteran of the San Jose music scene for two decades, Kumar was hailed as “…King of ‘Bollywood blues’ music” by SJ Mercury News (2022) and received the Metro Silicon Valley Gold Award for Best Band (2024).
Kumar’s “Little Village” releases “Aki Goes To Bollywood” (2016) and “Hindi Man Blues” (2018) are considered ground-breaking albums that have garnered international critical acclaim. In 2020, Kumar made major news with the world-wide launch of his album “Dilruba” on Sony Music. In 2021, Little Village released Kumar’s uplifting reggae-inspired single “Zindagi” (Life). 2025 marked a milestone year for Kumar with the release of his self-produced “Little Village” album “God Bless The USA”
Aki Kumar has made multiple appearances at The Hardly Strictly Bluegrass, San Jose Jazz & SF Jazz Festivals, and has been featured on PRI “The World,” KQED Arts and CBS Bay Area. He has toured extensively over the years, including in Europe, Scandinavia, Russia, Australia, India and South America.
Based in the San Francisco Bay Area, The Sampaguitas sing Filipino folk songs and inspired originals in three-part harmony. Drawing influences from folk, blues, doo-wop girl groups, and the Filipinx-American diaspora, Jenevieve Francisco, Cristina Ibarra, and Aireene Espiritu share music from their roots and explore what it means to be in a “third culture” between worlds. The sampaguita is the national flower of the Philippines and only fitting to describe the sweet sounds coming from their melded vocal textures, tones, and tight harmonies.
Espiritu, Francisco, and Ibarra met in San Francisco and immediately connected over their shared ancestry and love of music. Their collaboration evolved organically, each bringing musical strengths into the fold. Using Filipino folk songs as a way for them to explore their cultural roots, they soon found that singing together unlocked a deep connection, not only to each other, but to audiences as well.
“We each come from different experiences and familiarity with the language. But getting to sing and learn Tagalog, it feels like stepping into a river that flows back to our ancestors. Singing these songs together is like creating our own connection to the country of our roots, and standing proudly in our Pinay heritage.”
